1/29/2024 0 Comments Ross carbonite ross linqOn reviewing the recorded clips today, we find that the audio drifts out of sync badly through the course of each clip. ![]() The HD Studio Pro was set to SDI input with embedded audio, recording to Apple Pro Res 422 codec. PGM signal from the matrix router goes to Hyperdeck Studio Pro for recording PGM out from the Ross plus audio from the sound mix goes through an SDI embedder (not sure which brand).Įmbedded PGM signal goes through an Extron Matrix router We rolled a separate recording for each session.Īll video sources switched through a Ross Carbonite 2M set to 1080i/59.94 11 November 2022 Kairos (Panasonic) welcomes RossTalk protocol with version 1.3.Just did an all day live streamed show yesterday that we recorded to a new HD Studio Pro in 4 approximately 90-110 minute sessions.30 November 2022 Ross Video launches Voyager Trackless Studio, graphics tool for virtual sets.29 March 2023 Ross returns to NAB 2023 with new solutions: switcher, LED screens….25 April 2023 Ross Video and DreamWall aim to revolutionize virtual production.The pre-sales and technical support from Ross have been fantastic and we really couldn’t be happier,” concludes Reddy, expressing his satisfaction with Ross Video’s solutions. We’ve got rock solid solutions from Ross that are easy to use, our workflows are far more efficient and we’re ready to scale for the future. And the way that XPression CG handles such large amounts of data in milliseconds is simply phenomenal!” With XPression DataLinq, we were able to integrate game API directly without any major database development. At times we are showing dead or alive statuses of up to 64 players, their various stats, live kills and so on, all in real time. Without this inbuilt functionality, we would either have to use a software-based switcher with audio functionality or an external audio mixer with GPIO, both of which would only complicate the workflow and add to the number of possible failure points.”Īnother key to production, details the Tesseract manager, is data management: “Esport titles generate a lot of live data. Esports production requires AFV for observer feeds, so we can bring audio into the Carbonite Ultra and use the AFV function. In this regard, Reddy identifies a big improvement for his productions: “The Carbonite Ultra switcher includes a powerful audio mixer. One of the defining positions in eSports production is that of the observer, a person in charge of producing the video game competition in order to provide the game director with the best feed. ![]() The experience could not have been more positive, as Gowtham Reddy, founder and director of Tesseract Esports, points out: “Everything proposed was extremely reliable and scalable, and the comprehensive feature set has really helped with our budgeting.” The observer To address these demands, the Ross team proposed a solution that included the Carbonite Ultra switchers, the Ultrix audiovisual processing platform, the XPression graphics system and the DashBoard control system. Due to a growing event schedule, the workload in its six studios and four control rooms was starting to become unsustainable, so the production company’s technical team decided to contact Ross to optimize its production.ĭuring discussions with the Canadian company, Tesseract identified a number of areas for improvement: real-time data-driven graphics, product reliability, unified control and scalability. Tesseract Esports multiplies production by relying on Ross Video solutions A selection of equipment from Ross Video has helped Tesseract Esports scale its production to cope with the widespread demand for content.īased in Hyderabad, India, Tesseract Esports has been developing the esports scene in South and Southeast Asia since 2015.
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